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The Pisces Principle | Die 12 Urprinzipien | Sebastian Domaschke

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The Pisces Principle | Die 12 Urprinzipien | Sebastian Domaschke

"Das letzte Urprinzip dieser Serie ist das Fischeprinzip. Hier geht es nun um die Auflösung aller Strukturen, Sicherheiten und materiellen Identifikation. Wer vom diesem Sternzeichen geprägt ist, empfindet sich oft als kleiner, verlorener Mensch, welcher von einer höheren Macht bestimmt wird, die sein begrenzter Verstand nur ansatzweise begreifen kann. Daraus entsteht das Bedürfnis Zugang zu einer inneren Stimme zu finden die ihn lenkt und leitet. Die Wahrsagerin Undine symbolisiert diesen Zugang aber auch den Hang dazu, sich und anderen Illusionen zu machen. Die Sehnsucht nach Erlösung kann zu Weltflucht und seelischer Betäubung  führen, welches ich durch die Opiumpfeife und den Pillen dargestellt habe. Der Charakter des Fisches ist schwer greifbar, fließend und scheu. Dieses habe ich mit dem Fisch dargestellt. Die Seerose wächst aus dem Wasser, was auch das Element dieses Sternzeichens ist."

Sebastian Domaschke

 

 

"The last primal principle of this series is the Pisces principle. It’s about the dissolution of all structures, certainties and material identification. The ones who are shaped by this zodiac sign often see themselves as a small, lost human who is designated to a higher force their limited mind can only grasp rudimentary. This creates a need to find the approach to an inner voice which will guide the Pisces. The fortune-teller Udine demonstrates this approach as well as the tendency to delude oneself and others. The longing for salvation can cause escapism and emotional numbness, which I illustrated with the opium pipe and the pills. The Pisces is an unavailable, floating and bashful character, which I demonstrated using the fish.  The water lily rises from the water, which is also the Pisces assigned element."

Sebastian Domaschke

 

 

✔️ Size: 30 x 40 cm

✔️ MUSEUM QUALITY PAPER - Giclée-Print on Hahnemühle William Turner 190 gsm Digital FineArt Aquarelle paper with a distinct and readily visible watercolor texture that looks and feels great

✔️ Printed with lightproof UltraChrome Pigment Ink with outstanding detail and deep strong colors that jump out at the viewer

✔️ Can hardly be distinguished from the original

✔️ 100% vegan and cruelty free

 "A picture without a frame is like a soul without a body"

- Vincent van Gogh

 

✔️ Wechselrahmen mit dickem 2×2,2cm Profil
✔️ Massives Lindenholz/ Eichenholz
✔️ Polysterolscheibe UV-hemmend
✔️ Rückwand MDF, Aufhänger für Quer- und Hochformat
✔️ Verchromte Metallbügel und Aufhänger

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✔️ Interchangeable frame with thick 2×2,2cm profile.
✔️ Solid oak wood/ limewood
✔️ Polysterol pane UV-inhibiting
✔️ Back panel MDF, hanger for landscape and portrait format
✔️ Chromed metal brackets and hangers

 

Massives Lindenholz, schwarz | Solid limewood, black
Massives Lindenholz, weiss | Solid limewood, white
Massives Eichenholz, unbehandelt | Solid oak wood, untreated

EASY TO HANDLE

We print exclusively on Hahnemühle "William Turner" paper, it is literally the Rolls Royce of fine art papers. Both from the luminosity of the colors, the depth of the blacks, as well as in terms of structure and feel, the print can hardly be distinguished from the original. So far, no other paper has been able to hold a candle to our "champ" and we have tested almost every paper on the market.

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